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Sunday, 6 September 2015

Popular design news of the week: August 31, 2015 – September 6, 2015

Every week users submit a lot of interesting stuff on our sister site Webdesigner News, highlighting great content from around the web that can be of interest to web designers. 

The best way to keep track of all the great stories and news being posted is simply to check out the Webdesigner News site, however, in case you missed some here’s a quick and useful compilation of the most popular designer news that we curated from the past week.

Note that this is only a very small selection of the links that were posted, so don’t miss out and subscribe to our newsletter and follow the site daily for all the news.

How to Write an “About Me” Page that Gets You Hired

 

Fake UI – Fake Websites and Fake User Interfaces from TV and Movies

 

A Tool for Creating Cohesive Color Palettes

 

1,500 4K Video Clips Available Free for Commercial Use

 

The New Apple Campus as Seen from a Drone

 

How to Tell if your Logo Design is Lazy

 

Famous Brand Logos Remade in Google’s New Design

 

Recolor – Coloring Book App for Adults

 

Hacking Google Earth to Create Stunning Mountain Shots

 

The Anti-Web-Design Manifesto

 

How to Become an Awesome Designer in 365 Days

 

What has Happened to all of the Web Design Ideas?

 

Frontify – Create Free Brand & Design Style Guides

 

What Colour is It?

 

Why You Hate Google’s New Logo

 

Brooklyn Bar Menu Generator

 

New Zealanders Offered Flag Shortlist Ask: Can We Have this One Instead?

 

PayPal.Me – Request Money Using your Own Personalized URL

 

Google’s Logo Killed Serifs Because Serifs Had it Coming

 

A Guy Duct Taped a Superman Figure to his Drone – See the Video

 

The Branding Gods (Mostly) Love Google’s New Logo

 

New Logo for Google Done In-house and it’s all Gooooooooood

 

Japanese Suggest New Tokyo Olympics Logo as Official Emblem Scrapped

 

A Living Typeface that Actually Grows in a Petri Dish

 

Is There any Difference Between Google’s and Microsoft’s Colors?

 

Want more? No problem! Keep track of top design news from around the web with Webdesigner News.

LAST DAY! Contrastica for Photoshop: Smart Contrast Intensifier – $15!

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si pide pass es: Cameron Chapman

Saturday, 5 September 2015

Comics of the week #303

Every week we feature a set of comics created exclusively for WDD.

The content revolves around web design, blogging and funny situations that we encounter in our daily lives as designers.

These great cartoons are created by Jerry King, an award-winning cartoonist who’s one of the most published, prolific and versatile cartoonists in the world today.

So for a few moments, take a break from your daily routine, have a laugh and enjoy these funny cartoons.

Feel free to leave your comments and suggestions below as well as any related stories of your own…

Defeating the purpose

 

Counterintuitive

 

Work from home

Can you relate to these situations? Please share your funny stories and comments below…

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si pide pass es: Jerry King

Friday, 4 September 2015

Font Flame aims to be the Tinder for typefaces

This week, the Web’s been falling in love with Font Flame. Billed as the ‘Tinder’ for typefaces, it’s an addictive little site that asks you to judge font pairings.

You can love or hate the combinations that are randomly presented, all drawn from Google’s free font library. If you love a combination, it will be saved for you under My Type.

Suitably as superficial as picking a life partner from a selfie, it’s questionable how useful the pairings actually are. When browsing through combinations the typical response seems to be: hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… love… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate… hate…

Developed by Jan Wennesland, Font Flame is still in development, and with feedback from the design community Wennesland hopes to make it the definitive tool for font pairing.

One of the first revisions was the introduction of curated suggestions by Typewolf’s Jeremiah Shoaf. Whilst the suggestions are nice it does circumvent the purpose of the app. It would be great to see a ‘Most Loved’ section, that combines curation and random selection.

Currently the biggest obstacle to the app being useful is that you’re asked to compare a title, and a subtitle; it would be far more useful to compare a display font with a text font, preferably with language options. It would also be nice to be able to ‘pin’ one of the random options and keep rolling the dice until you find a suitable partner for it. Hopefully those are things that will be addressed in a future version.

As with relationships, compatibility is a complex formula, dependent on contrasting and complementary characteristics. Font Flame tends to produce just a few usable combinations. But it’s a great way to show non-typophiles how much work goes into type pairing. And if nothing else, it’s a fun way to spend 30 minutes.

55 Logo Templates with Monogram Incorporated – only $12!

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si pide pass es: Benjie Moss

Thursday, 3 September 2015

Embracing the latest web trend: card-based design

There are always new webdesign trends gaining momentum. Who could forget parallax scrolling from a few years ago, which is still popular today? As of late, long-scrolling pages are getting more attention from site visitors.

One trend that’s not gotten as much recognition as many others, and has been around for a little while already, is card-based design.

The most popular website that showcases this design trend is Pinterest, but there are also other sites that are increasingly using this design approach, and with good reason. When visitors browse a site that uses this design technique, they immediately notice the cleanness and well-organized planning behind such a simple-yet-elegant approach to design.

There’s a slew of benefits to using card-based design on your own site.

A grid approach to IA

When you look at any card-based design, it’s impossible not to also see a grid-based design peeking through. That’s because every edge of a card is really the edge of various grids in a bigger, well-organized system that promotes great consistency and harmony in the way the site’s presented.

This in turn significantly helps the information architecture of your site. Information architecture is the intelligent order and flow in which your visitors absorb site information, ideally in keeping with the goal of each page and the overall site.

Think of it: The card-based design guides your visitors’ eyes due to its emphasis on consistency. Every card is part of a column or row that directs their eyes along uniform horizontal and vertical lines. This arrangement helps your visitors understand what piece of information is more important than others.

Take, for instance, Contrastly, a photography magazine. Following its grid/card layout helps you understand what’s more important in the information hierarchy. The newest articles are placed along the top row while the older articles appear in the bottom row. Newness is generally associated with greater importance, so following this descending order of rows in the card system lets users quickly associate what content is more important. They can therefore prioritize the order in which they read this information.

Heavy reliance on images

We’ve heard the old saying that people are visual creatures so many times that it’s a cliché, yet in card-based design, it takes on new meaning. Card-based design relies on visuals almost exclusively; any copy on the same page is usually secondary to the visual in terms of the information architecture.

Going heavy on images like this is a strength of card-based design because studies already confirm that images elevate web design. For example, both high-quality pictures and using more human faces in images boost conversion rates. In fact, all told, there are several ways in which using images in design can increase your site’s conversions.

In other words, the emphasis on using images makes card-based design more attractive to site visitors. It’s no coincidence that Pinterest is, according to Alexa, the 15th most popular site in the U.S.

Looking at the Pinterest results for the search term “food,” we can see that images are the very first things that draw your eye when you’re on the site. You don’t care about the descriptions underneath the pictures, at least not at first. The high-quality, dazzling pictures are what nab your attention, and then, after deciding you want to learn more (but already committing to that card), you read the card descriptions.

Enhanced UX

Any designer should tell you that the user experience matters most. It’s what we’re supposed to be designing for, first and foremost. Another reason that card-based design has resonated so well, and will continue to do so for the foreseeable future, is because it helps the user experience. And that encourages site visitors to keep coming back to your site, which in turn leads to them spending a longer time there, which finally leads to more conversions!

A great user experience centers around people being able to find their way around your site without any friction; basically, they should find what they want to find immediately and with no headaches.

Dribbble is a site that understands this well because its designers have used cards to make the user experience simpler and better. This site is well-known in the online creative community as a showcase for user-generated artwork.

The point of the site is for people to admire illustrations, graphics and images of all kinds, so card-based design is really the most suitable way for presenting this. Since images draw the visitor’s eye efficiently and immediately, the user experience is greatly enhanced when visitors can quickly peruse the cards in the grid layout to see which ones interest them. As soon as they see one that interests them, they can instantly click on the card to take a closer look.

A site like Dribbble lets visitors find right off the bat what they’re looking for in a super-convenient way. That’s the epitome of a great user experience!

Well-Suited for mobile design

You may’ve heard that mobile has already overtaken desktop in the sheer number of users. In the U.S. alone for 2015, mobile media digital time comes out to 51% compared to desktop’s 42%. Card-based design is ideal since it takes this trend into consideration by being eazily compatible with responsive frameworks. Because cards offer content in more digestible chunks, it makes it easier to display on mobile frameworks.

Look at cards this way: their shape and size is practically a mimicry of the shape and size of a smartphone or tablet. Of course, not exactly a perfect match due to the multitude of different models available, but still a pretty close match when you think in terms of aspect ratio.

As a result, cards are never going away as long as mobile keeps growing, and it’s not showing any signs of slowing down anytime soon.

Not merely another design fad

The problem with some design trends is that they turn into fads, which makes them short-lived and forgettable. Card-based design, though, is anything but! Because of the slew of practical uses and benefits that it offers, it’s only going to become more popular as time wears on. This means that it has staying power.

It provides consistency in the information architecture of sites and taps into users’ obsession with sharp images as a way of driving more conversions. Consequently, the entire user experience also gets a huge improvement with card-based design simply because it actually makes it easy for users to find what they’re searching for on the site. Thanks to the rise of mobile in the last couple of years, this design approach is becoming a mainstay that more and more people are encountering and enjoying.

When you think of it, cards are really an old concept, yet they’ve been given a shot in the arm and updated to a fresh, new way of web design. It just goes to show you that innovative designers can take something old and mundane and turn it into something that’s extremely relevant and beneficial in the 21st century.

LAST DAY: Bundle of 9 Beautiful, Professional Script Fonts from FontYou – $27!

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si pide pass es: Marc Schenker

Wednesday, 2 September 2015

Elegant Themes introduce a new workflow with Divi 2.5

Divi 2.5 is the latest release from Elegant Themes. The Divi theme is designed to create beautiful WordPress websites with no need to understand code at all.

Regular updates from the Elegant Themes team have made Divi one of the most popular WordPress builders on the market; Divi powers thousands of business sites globally, with over 290,000 WordPress users signing up as Elegant Themes members.

Since we last reported on Divi version 2.4 back in June, the Elegant Themes team have been hard at work, refining and restructuring Divi’s workflow so that Divi 2.5 is the most usable version of this terrific WordPress Theme builder ever.

What’s new?

The focus of Divi 2.5 is firmly on helping you work smarter. Workflow has been examined and optimized to make sure that Divi Themes don’t just look great, but are a snap to build.

Probably the most useful new feature in Divi 2.5 Builder is the ability to access options with a right-click. This is a huge timesaver when working with Divi; it means that for actions like locking, or copying and pasting, you can save real time by right-clicking instead of having to access a control panel. If you’re not a fan of right-clicking hotkey commands are included too.

Divi 2.5 also features an exciting new Role Editor for working with clients. Allowing your clients to access their sites as they’re being built, without giving them the option to make changes to your design work themselves — that’s a few headaches solved!

As well as the new features, Divi 2.5 includes a slew of bug fixes and community requests.

Divi Builder 2.5

Divi Builder is at the core of everything that Divi does. It’s a drag-n-drop interface sat between you and the trickier parts of WordPress. It empowers users to design and build the kind of sites that you want to build.

Divi Builder uses Divi Modules to rapidly generate site designs, exactly how you want them. Divi Modules feature advanced settings that map to CSS controls, meaning that anything you can build in HTML and CSS, you can build with Divi 2.5.

Divi Builder 2.5 is the final version of the Divi Builder Framework. This is the framework all of Elegant Themes’ themes will be built with from now on, so the experience of switching between different themes will be seamless in future.

Live Preview

Divi 2.5’s Live Preview feature is another great addition; allowing you to preview changes directly in Divi Builder. This streamlined workflow significantly reduces the amount of time taken to build and modify designs: when you’re ready to save your changes, it only takes one click.

Live Preview is integrated with Divi 2.5’s new undo feature, so you can work with Divi 2.5 almost as you would a graphics editor.

Divi Library

The Divi Theme includes the Divi Library, which is a place to collect your templates, and most successful designs. You can save elements of your designs here, and reuse them later, even on other projects.

Fully Responsive

As you’d expect for a modern WordPress theme, Divi 2.5 is fully responsive. Its grid, that was entirely recoded in version 2.4 is entirely fluid. Meaning that Divi 2.5 sites look amazing no matter what device you use to view them.

How to get Divi 2.5

To get Divi 2.5 for yourself, simply sign up for Elegant Themes membership; not only will you get access to Divi 2.5, but you’ll also get access to the whole of Elegant Theme’s collection of 87 WordPress themes!

 

[— This is a sponsored post on behalf of Elegant Themes —]

150 Retro, Vintage Vector Illustrations – only $9!

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si pide pass es: WebdesignerDepot Staff

Tuesday, 1 September 2015

How good is Google’s new logo?

Today, Google released an update to its logo which it describes as: “simple, uncluttered, colorful, friendly”. The discernibly scrappy dotcom-era style has been replaced by a simpler, geometric sans-serif, with only the famous blue, red, yellow, blue, green, red color sequence surviving.

The new design is a vast improvement aesthetically, but it’s unlikely it will stand the test of time because it’s too now, too of the moment. This is Google’s 2015–2016 logo.

Google is one of the most recognizable brands in the world, so any kind of redesign will inevitably present a challenge. On this occasion Google has chosen to play it safe, by following Facebook’s recent dumbing down of its own logotype.

According to Google the redesign has been inspired by mobile usage:

So why are we doing this now? Once upon a time, Google was one destination that you reached from one device: a desktop PC…These days, people interact with Google products across many different platforms, apps and devices – sometimes all in a single day.

Considering that Google makes what is arguably the most successful mobile OS, you might think that mobile-friendly branding would have been a priority a few years ago.

Speaking about logos, identity supremo Paul Rand once said:

The principal role of a logo is to identify, and simplicity is its means… Its effectiveness depends on distinctiveness, visibility, adaptability, memorability, universality, and timelessness.

These principles were brilliantly laid out by Dave Schools in his simple 7-step logo test based on Rand’s statement. Following his process, I rated the new Google logo a disappointing 41 — 19 points short of avoiding the trashcan — although those scores are subjective, so try it yourself.

If Google had chosen to be daring, they might have moved forward with just their sequence of colors. They have their doodles, and with Alphabet Inc. taking over corporate duty, they had the option to be ultra-minimal. Afterall they are one of the few companies ubiquitous enough to do so successfully.

What they have delivered, in addition to the logotype, and a hasty uppercase ‘G’ colored in the four (now slightly tweaked) colors, are the new ‘Google Dots’.

The Google Dots are four dots, colored blue, red, yellow, and green. They animate, they communicate, they’re playful, versatile, memorable; everything you’d ask for in an identity. The previews we’ve seen so far suggest that they’ll be central to all of Google’s future UI design, providing visual feedback on interactions.

All in all, this is a safe corporate rebrand that Google didn’t need to make. The logo is more appealing, but a design that is so on-trend has a limited shelf-life. The Google Dots however, are a great addition that will be built into everything Google do, and will be around for years to come.

Get 44 Different Fonts in 1 with Sant’Elia Script – only $19!

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si pide pass es: Benjie Moss